Friday, March 21, 2025
Opening Day: Pedal Building 2025
Sunday, March 9, 2025
Hello, Semi-Hollow!
It all started when I saw an Ibanez AS93FM (emerald green one), and a desire was born. A lot of my blues heroes used a semi-hollow guitar, so I think it's finally time to see if I connect with one. I looked into the Ibanez Artcores, used Gibson ES 335s, Epiphones, Firefly guitars, even an ES 339 caught my attention, but I decided against all of them for one reason or another; most of them weren't in my current budget anyway. Ultimately I decided it had to be a cherry red Harley Benton HB-35 Plus, as it addressed my biggest concern about gelling with a 335 style guitar. On most 335 guitars the input jack is on the front, while the HB-35 Plus has it on the bottom, like most guitars. It also had a lot of features that I like, such as a flame maple top, the switch at the top like a Les Paul, and push/pull pots to split the coils of each humbucker.
I told my brother to keep an eye out for 335 style guitars, especially a used HB-35 Plus. Both Friday and Saturday he texted me a ton of pictures of guitars, but nothing had all of the features that made the Harley Benton my favorite. Then he sent me a photo of a cherry red, flame maple 335 style guitar with the switch at the top, and I got excited! At first I thought it was an HB-35 Plus, because the headstock wasn't visible, but once I noticed the gold hardware I could tell this wasn't a the HB-35 Plus I was looking for. If it looks like an HB-35 Plus, but isn't, what could it be? It' a Peavey!? Yes, a Peavey JF-1, to be exact. After my brother sent me a photo of the headstock, I quickly went to work researching what it was. In most of my research I found a lot of people seemed to like them, so that helped me decide this was the one for me.
The Peavey JF-1 retailed for $399.99 many years ago, so I wonder if the HB-35 Plus was based on it. These were Peavey's entry into Jazz Fusion, thus JF model. The only feature the Peavey lacked, compared to what I wanted from the HB-35 Plus, was the push/pull pots. It did surpass the HB-35 Plus in the pickguard style, which is much more 335-esque, compared to the LP style of the HB-35 Plus. It had some bumps and bruises, but nothing I couldn't overlook. Overall she's in good shape, although she does need a setup. To its credit, as per the Peavey website specs, the tuners are Grover, the neck is set-in mahogany, and it is completely wrapped in cream binding, including front and back of the maple body. If I had any complaints at all I would say I'm not a fan of gold hardware, but that will continue to wear over time.
Another minor gripe is these pickups may get changed at some point. The neck pickup seems to sit around PAF territory, where I want it, but the bridge is a bit too hot for what I want to do with this guitar, at 14k. I may also install a push/pull on the neck, if I change out the pickups, for the out of phase sound. Overall she sounds nice acoustically, and plays really nice. After some elbow grease she cleaned up nice too! It's great having another guitar that rings out acoustically, like my Les Paul. I've already bonded with this one in less than 24 hours of having it. Really nice for what it is, and I got it at a super deal. An easy pick up and play guitar to help me test pedal builds too!
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Say Hello to Cherrie King! |
Wednesday, March 5, 2025
Hello March 2025!
Sunday, February 9, 2025
Building Season 2025 is Almost Here!
Wednesday, January 22, 2025
The Bass
In 1999 I became more interested in learning to play the bass, just to add another feather in my cap of musical prowess. May of that year saw a dear friend by the name of Joe offering me his old bass guitar, one he said he never played anymore. Joe brought the bass to school on a Friday, handed it to me and told me to take it home for the weekend. The last thing I can remember him telling me was to let him know how I liked it on Monday. The issue being, our school district had a funny way of rewarding me with more days off from school when I had previously not shown up to school. I was suspended most of that following week, and by the time I returned it was too late. I went back to school with the intention of returning the bass to Joe, but Joe had passed away that Thursday night. Meningitis. He was only 15 years old.
I tried numerous times to get his bass to his sister, but our schedules rarely ever crossed paths. From 1999 until about ten years ago I continued to try and make it happen, but things never worked out. It was as if Joe was telling me this is where he wants the bass to stay, and it has ever since he gave it to me. On the surface it's nothing special. It's a red Mako brand, P style body, maple fretboard, single pickup bass. The strings are still original, as I can't bear to take them off. They're the last set of strings Joe played. Needless to say I've not played it since 1999. It's more a keepsake of a friend who I guess decided I was the safest home for his bass.
I think this year I might just go through and give the bass a tune up, see how it performs. After leaving school in 2000 the bass moved with me to Michigan, then back to Indiana. It's been packed away in box in my closet untouched, but not forgotten, for decades. A new pack of strings, a thorough cleaning, make sure the neck is doing alright, and it might be ready to rock. I still feel as if this belongs with his family, but it's just never happened. I think at this point they've probably long forgotten it.